Every style a Tunisian ad can wear

Extreme macro product shot, 100mm lens at f/5.6, a white dome security camera beaded with fresh rain droplets on a matte black sweep, one large softbox top-left, a warm amber rim light from behind, crisp water drops with real refraction, micro scratches on the plastic, shallow but natural depth of field, commercial tabletop photography, Kodak Portra color, fine grain.

Motion: Slow 2 cm slider move to the right; one water droplet slides down the dome and falls; the camera lens glints once; geometry stays identical, no flicker.

Cinematic film still, ARRI Alexa 35 with a 40mm anamorphic lens, golden hour on a flat concrete rooftop in Sfax, a Tunisian solar installer in his thirties with a short beard and a work jacket checks a row of solar panels, low sun behind him with gentle halation, oval bokeh, dense rooftops with water tanks behind, Kodak Vision3 250D film stock, natural skin with pores, shallow depth of field.

Motion: Slow push-in; the installer looks up from the panels toward the sunset and gives a small satisfied nod; warm wind moves his jacket; single continuous shot.

Candid documentary photograph on 16mm film, two Tunisian installers bolting aluminium rails on a flat rooftop in Ariana at harsh midday sun, rebar sticking out of the neighbour's roof, cables and tools on the concrete, sweat, squinting, a water tank, a slightly tilted handheld frame, hard shadows, visible film grain, unposed.

Motion: Handheld shoulder camera with micro-shake; one installer gives two turns of the ratchet and wipes his forehead; slight refocus drift.

Luxury product photograph, medium format 90mm lens, a sleek matte black home battery unit on a warm travertine wall of a modern Tunisian villa, a single strip softbox grazing its brushed aluminium edge, one tiny green status light, deep soft shadows, a potted olive tree out of focus, calm and restrained, high-end architectural photography.

Motion: Very slow dolly-in and slight rise; the highlight travels along the brushed edge; the status light breathes once.

Aerial drone photograph straight down from 60 metres over a dense residential neighbourhood of Sfax, flat concrete roofs with white water tanks, satellite dishes, solar water heaters and laundry, one single roof fully covered with dark blue solar panels in the centre, narrow streets with parked cars, light dust haze, morning sun with long shadows.

Motion: Slow rise and a 20 degree rotation over the roofs; light wind judder; no cuts.

High-speed photography, a large raindrop hitting a dark blue solar panel and exploding into a perfect crown splash, backlit by a stormy sky, droplets frozen in the air, macro lens, black background, crisp detail.

Motion: Filmed as if on a Phantom camera at 1000 frames per second: the crown splash rises and collapses in extreme slow motion, locked-off camera, no stutter.

Photoreal lifestyle photograph, Sony A7 IV 35mm f/2, an adult Tunisian couple in their forties relaxing on the sofa of their living room in El Menzah on a hot summer evening, a wall air conditioner above, a warm table lamp on the left, a tiled floor, a tea tray, light curtains, natural skin, candid moment, not posed.

Motion: Static camera; the woman exhales with relief in the cool air, the man glances up at the air conditioner and smiles; no big gestures.

Wide 24mm photograph of a bare flat concrete rooftop of a white house in Sousse under clear afternoon sky, a water tank and a satellite dish, neighbouring roofs around, empty concrete where panels could go.

After-edit: Keep everything in the image exactly identical (same camera, light, buildings, tank and dish) but install twelve dark blue solar panels on neat aluminium rails on the empty part of the roof.

Over-the-shoulder photograph of a Tunisian woman in her thirties sitting in the driver seat of her car, holding a smartphone whose screen is a plain uniform bright green, natural daylight through the windscreen, iPhone photo look, shallow depth of field on the phone.

Motion: Static over-the-shoulder shot; her thumb scrolls once; slight natural hand tremor; the phone does not rotate.

Casual smartphone photo, rear camera, a hand holding a folded paper electricity bill (plain paper with only grey placeholder lines) above a Tunisian kitchen counter with a tea glass and a bread basket, fluorescent light, slightly blown window, a bit of noise, casual tilted framing.

Motion: Handheld phone video: the hand shakes the bill a little in frustration, auto-exposure shifts, casual micro-movements.

Security camera still image, 2.8mm wide-angle lens mounted high under the eave of a villa at night, infrared black and white, a courtyard with a parked Peugeot, a gate and a cat walking on the wall, slight fisheye distortion, soft IR glow, compression noise.

Motion: Static security camera, no camera movement: the cat walks along the top of the wall, jumps down into the courtyard and trots past the parked car; a passing car's headlights sweep across the gate.

Photoreal night scene during a summer power cut in a Tunisian apartment, a man in his forties sitting on the edge of the bed in a white tank top, sweating, lit only by his phone torch, a stopped standing fan, an air conditioner with its light off, open window with a dark city, candid and quiet.

Motion: Static camera; the man wipes his forehead and looks at the dead air conditioner, then at his phone; the torch light trembles slightly.

Vertical smartphone video frame on a small tripod, a Tunisian shop owner in his fifties with grey stubble and a polo shirt stands behind the counter of his small hardware shop in Tunis, shelves of tools and boxes behind him, fluorescent light, talking to the camera with a confident friendly look, real phone camera quality.

Motion: The owner talks to the phone camera in Tunisian Derja with a Tunis accent and says exactly: "مرحبا بيكم عندي في الحانوت، كل شي موجود و بسوم باهي." (Marhba bikom 3andi fil 7anout, kol chay mawjoud w b soum behi.) Small hand gestures, a smile, natural blinking, slight room echo, no music, no subtitles.

First-person point of view photograph, the viewer's own gloved hands holding a white dome camera up against a white ceiling of a shop entrance, a screwdriver in one hand, wide 16mm phone lens, daylight from the street, realistic hands.

Motion: First-person: the gloved hands twist the dome camera into place and tighten one screw; natural head-mounted camera sway.

Top-down smartphone photo of two hands opening a plain brown cardboard box on a wooden table in a Tunisian home, inside a white dome security camera in foam, a glass of mint tea at the side, natural window light, realistic hands, casual.

Motion: Top-down: the hands lift the dome camera out of the foam and turn it to show the lens; natural handheld motion.

Handheld vlog photo at 7 am, a Tunisian installer in a navy work jacket loading a ladder onto the roof rack of a white van in a quiet Tunis street, soft morning light, a café with plastic chairs opening behind, casual phone video look.

Motion: Handheld vlog camera; the installer slides the ladder onto the rack and gives a thumbs-up to the camera.

A Tunisian man in his late twenties in a hoodie, waist-up, pointing up and to the left with a shocked, amused face, filmed indoors in a small home studio in front of a perfectly flat, evenly lit, uniform chroma-key green backdrop that fills the whole frame behind him (no street, no room, nothing else visible), even soft light, no green spill on him, smartphone front camera look.

Motion: The man points up-left at something behind him, shakes his head in disbelief and laughs.

Smartphone video frame at table height on a Tunisian café terrace in the afternoon, two men in their forties at a metal table with small glasses of capucin and a bottle of water, one leaning back sceptical with arms crossed, the other leaning in explaining, plastic chairs, a busy street behind, natural light.

Motion: Two Tunisian men talk at the café table in Tunisian Derja with a Tunis accent. First the sceptical man, arms crossed, says exactly: "يا خويا، الـ panneaux هاذم برشا فلوس." (Ya khouya, el panneaux hedhom barcha flous.) Then the convinced man taps the table and answers exactly: "لا لا، شوف الفاتورة متاعي… نقصت للنص." (La la, chouf el facture mte3i… n9set lel nos.) Natural gestures, café ambience, no music, no subtitles.

Handheld street-interview video frame on Avenue Habib Bourguiba in Tunis, a microphone with a foam cover held into the frame toward a smiling Tunisian woman in her thirties with sunglasses on her head, trees and the avenue behind, afternoon light, phone camera look.

Motion: The woman answers into the microphone in Tunisian Derja with a Tunis accent and says exactly: "والله الكاميرا ولات لازمة، ما عادش نخلّي الدار وحدها." (Wallah el camera wallet lezma, ma 3adech nkhalli ed-dar wa7adha.) Animated hand gestures, a smile, street sounds, no music, no subtitles.

Podcast studio photo, two Tunisian hosts in their thirties facing each other across a small table with black podcast microphones on arms, warm practical lamps, an acoustic panel wall, headphones, relaxed conversation, cinematic but natural.

Motion: The host on the left speaks in Tunisian Derja with a Tunis accent and says exactly: "السر الكل في الـ installation، موش في الـ panneaux." (Es-sir el kol fil installation, mouch fil panneaux.) The other host nods and laughs. Subtle camera drift, room tone, no music, no subtitles.

Warm cinematic photograph of a Tunisian family iftar at sunset in an apartment living room: a grandmother, parents and adult children around a low table with brik, chorba soup, dates and a bottle of water, amber light, a patterned tablecloth, laughter, a TV on a cabinet in the background, natural and warm, 35mm.

Motion: The grandfather passes the brik plate and everyone laughs; warm handheld camera drifts along the table.

Tunisian TV sitcom still, a man in his fifties in a salon with a painted tile band on the wall and a banquette sofa, holding a paper bill and making a huge shocked face with wide eyes and open mouth, bright flat sitcom lighting, slightly saturated colours, comedic.

Motion: The man's jaw drops further, he slaps his forehead and falls back onto the sofa in comic despair.

Photograph of a busy fruit and vegetable stall in the Marché Central of Tunis, crates of oranges, peppers and tomatoes, a smiling vendor in his sixties weighing tomatoes on an old scale, morning light through the market roof, vivid colours, candid.

Motion: The vendor drops tomatoes onto the scale pan and the needle swings; shoppers pass in the foreground.

Warm summer night on a Tunisian rooftop terrace in Hammamet, string lights, jasmine bushes, adult friends laughing around a table with watermelon and tea, the sea glittering in the distance, soft warm light, candid cinematic photo.

Motion: A breeze moves the string lights and jasmine; the friends laugh and clink tea glasses.

Architectural interior photograph of a bright modern Tunisian villa entrance with white plaster arches, a band of hand-painted Tunisian ceramic tiles in yellow, green and blue (Kallaline style), a wooden door with black studs, a jasmine pot, soft daylight, calm and premium.

Motion: Very slow push-in straight toward the open wooden door; the white arches and the tile band stay exactly the same shape; soft light shifts gently on the tiles; people walk in the street beyond.

Golden afternoon photograph of an olive harvest near Sfax, adult Tunisian family members beating olive branches onto nets spread on the red earth, old olive trees in rows, crates of black olives, dust in the light, candid documentary style.

Motion: A man shakes a branch and olives rain down onto the net; the camera drifts slowly.

Night photograph of a Tunisian villa's blue metal gate lit by a warm wall lamp, a white dome camera above it, and in the foreground a hand holding a smartphone with a plain green screen, calm blue night, quiet street.

Motion: The hand lifts the phone slightly; the gate lamp flickers once; calm night ambience.

Gritty handheld street photograph at a busy louage station in Tunis, white shared taxis with a red stripe lined up, drivers calling out, a young adult man with a backpack walking toward the camera, afternoon sun, dust, wide lens, energetic.

Motion: Handheld camera walks backward as the young man strides forward past the louages; quick energetic motion.

A still from a feature-quality 3D animated film in the style of modern family animation: a cheerful Tunisian grandmother with big expressive eyes and a floral dress laughing on her balcony in a white Tunisian house, holding a small remote, a new air conditioner humming on the wall, soft subsurface skin, warm cinematic lighting, detailed textures.

Motion: The grandmother presses the remote, feels the cool air and does a happy little dance on the balcony.

A miniature toy diorama of a Tunisian neighbourhood made of smooth low-poly painted wood and plastic, white cube houses with blue doors, one house with tiny solar panels on the flat roof, tiny palm trees and a tiny white van, tilt-shift macro photography, soft studio light, pastel sky backdrop.

Motion: The tiny van drives along the street and stops at the house; tiny panels catch the sun; tilt-shift camera drifts.

Premium 3D CGI product render of a sleek matte white home battery and a black solar inverter floating side by side against a deep cobalt blue studio gradient, soft rim light, perfect clean reflections on a glossy floor, minimal, high-end tech advertising.

Motion: Slow straight dolly-in toward the battery and the inverter: no orbit, no rotation, the camera only moves forward; reflections slide slightly on the floor; both objects stay perfectly rigid, identical shape and size.

Flat 2D vector illustration, bold simple shapes, a limited palette of cobalt blue, sun yellow, white and coral, no gradients, a friendly Tunisian installer character with a round head pointing at a white house with solar panels and a sun, clean modern explainer style, plain light background.

Motion: Flat 2D animation: the sun rises, rays hit the panels, the house lights up, the installer waves; keep flat vector style.

Clean isometric illustration of a cutaway Tunisian two-storey house with a flat roof: solar panels on the roof, a white inverter and a battery in the utility room, a family living room with an air conditioner, visible cables in yellow, soft shadows, cobalt and white palette, crisp vector detail, light background.

Motion: Gentle isometric animation: energy pulses travel along the yellow cables from the panels to the battery and the air conditioner.

Handmade paper-craft diorama photographed from the front: layered cut paper in cream, cobalt blue and sunflower yellow showing a white Tunisian house with a blue door, paper solar panels on the flat roof, a paper sun and clouds on strings, visible paper fibres and soft drop shadows between layers, stop-motion set.

Motion: Stop-motion paper animation at 12 frames per second: the paper sun slides up on its string and the clouds wobble.

Mixed-media collage artwork: a cut-out black and white photo of a Tunisian man on a rooftop, torn paper edges, strips of masking tape, hand-drawn yellow marker doodles of a sun and arrows, halftone dots, a cobalt blue paper background, scrapbook zine style.

Motion: The collage elements jitter in stop-motion; the doodled sun spins and the tape flutters.

Whiteboard doodle illustration drawn with a black marker on a clean white board: a simple house with solar panels, a sun, a phone with a speech bubble shape and a handshake, connected by arrows, hand-drawn sketchy lines, a few yellow highlighter accents.

Motion: A marker hand finishes drawing the last arrow and circles the handshake.

Anime film still, cel-shaded, a young Tunisian installer with a determined look standing on a flat rooftop in Tunis at sunset, wind in his hair and jacket, dramatic orange and purple clouds, detailed city of white flat roofs and a minaret in the distance, solar panels glowing, high-quality anime background art.

Motion: Anime animation: wind blows his jacket and hair, clouds race across the sky, he clenches his fist with determination.

Comic book page with three panels, bold ink lines, halftone shading and flat bright colours: panel 1 a Tunisian man sweating in front of a broken fan, panel 2 an installer putting solar panels on his roof, panel 3 the man relaxing in cool air smiling; speech bubbles left completely empty.

Motion: Subtle comic motion: panels pulse in one by one and the characters move slightly inside their panels.

Delicate watercolor painting of the white houses and blue doors of a Tunisian coastal town in morning light, a bougainvillea, a small solar water heater on a roof, wet-on-wet sky, visible paper texture, soft pigments.

Motion: The watercolor comes alive gently: the bougainvillea sways and light shimmers on the walls; painterly texture stays.

Modern flat graphic design inspired by traditional painted Tunisian Qallaline and Nabeul ceramic tiles: a grid of square tiles, each with a central stylised flower or tulip in a square frame, corner leaves that join into quatrefoils across tiles, hand-painted feel simplified into clean vector shapes, cobalt blue, mustard yellow and olive green on warm white. NOT Moroccan zellige: no eight-pointed stars, no cut mosaic.

Motion: The tile pattern assembles itself tile by tile from the centre outward, flat and crisp.

Technical blueprint illustration on deep cyanotype blue paper: white precise line drawing of a cross-section of a Tunisian flat-roof house with solar panels on the roof, an inverter, a battery and cable runs, engineering drawing style with dimension tick marks but no numbers or letters, subtle paper grain.

Motion: The white lines draw themselves progressively across the blueprint, like a plotter, crisp and flat.

A still from a 1990s Tunisian television commercial recorded on VHS: a smiling couple in 90s clothes in a salon with a big CRT television, a patterned sofa and lace curtains, warm tube colours, soft focus, chroma bleed, slight tracking noise at the bottom, retro.

Motion: 90s TV commercial motion: the couple turns to the camera and waves cheerfully; VHS wobble.

16-bit pixel art game scene, side view of a white two-storey Tunisian house with a FLAT roof (no domes), a blue door, a water tank and solar panels on the roof, a parked pixel car, a street with other flat-roof houses, a small pixel installer character climbing a ladder, a big pixel sun, clouds, limited retro palette, crisp pixels, no text.

Motion: Pixel-art animation: the installer climbs the ladder and the panels flash; crisp pixels, no smoothing.

A Tunisian man in his thirties in a plain t-shirt staring at his phone with a deadpan, unimpressed, slightly offended face, close-up, neutral indoor background, smartphone photo, comedic reaction image.